This set was originally scheduled to be Metal Chaos Ensemble with all six regular members plus Joel signed up.
Even without the drums, this set tilts more in the noise direction than typical of Metal Chaos Ensemble. The basic idea of this band is to increase the amount of electronics, to keep the ancillary percussion and loose the drum set, along with PEK and Bob holding down the horn parts. This new band is an offshoot of Metal Chaos Ensemble featuring 3 the core members PEK on all my stuff, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar, and electronics. Now that we are coming back to a more normal world and I have started LIVESTREAMING shows from Evil Clown Headquarters, all of these projects are picking up again.Īnother new project that was conceived at this time was Simulacrum. All of these projects would have made great music during the last year. Open Future for Relative Pitch, Metal Chaos Ensemble had just recorded The Riddle of Steel, Turbulence had just recorded Friction Coefficients, and new ensemble Expanse had just recorded Main Sequence. When the hammer came down in March of 2020, Evil Clown had some great momentum recording a number of great projects in a few short months: Leap of Faith had just recorded Principles of an It was fun to explore the world of overdubbing and multichannel recording for a year or so, but I am more than ready to resume ensemble playing. The pandemic forced me to focus on solo works for its duration. Please express how various unisons can change like illusions.Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. In addition, phantasmagoria means the illusion that changes through repetition, like flashback. Although there are many recapitulations, for ease of work, be aware of the meaning (variations) of the repeats and try to present them accordingly. For the slow middle section, emphasize the eighth note from the first half. Those percussion playing an active role from the beginning should not be monotonous but should strive for varied, unique expression. Throughout the entire episode, irregular time has been avoided as much as possible to limit the difficulty level. This piece consciously uses unison, changing tone and dynamics through various combinations of wind instruments, woodwind groups, brass groups, and percussion instruments that control rhythm. While writing, the composer reevaluated the orchestration and sound structure of small instrumentation (small number of people) from scratch, and a concept of the most basic style of "Unison" was achieved. This A-B-A, fast-slow-fast work is the fourth small band piece by Abe.
Commissioned, and premiered by Honjo Minami Junior High School in July 2014.
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